Charles Burns, “Sugar Skull”

Could the colorful Hergé-inspired trilogy Charles Burns concludes with Sugar Skull be read as a formally audacious sequel to his black-and-white masterpiece Black Hole? “A hole is never just a hole,” Burns has said of the series, which launched in 2010 with X’ed Out and continued two years later with The Hive. And the lacunae, tunnels, cavities, orifices, and other absences so present in these three books cover a lot of the same creepy-ass territory as their diseased-adolescence predecessor – although his trademark meticulously rendered deformities are relegated to a fantasy realm. This time around the emphasis is on the biological consequences of the sexual desires thrumming though Burns’s young fertile creatures. Read more at The Comics Journal …

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